And that's more or less it! I've cut a couple of the drawings I really disliked (but showed at the crit to make up the magical 24 images required) and i'll redraw them.
Also, i've reordered them, as now i've had more time to think about where they need to go in terms of the film they make more sense like this.
I'm going to keep working on the storyboard now, I really want it to reflect a change from day-night from the beginning of the film to the end, and also the changing of the seasons. I like how in this order the last boards are dark and brooding night shots, and the beginning ones are brighter and more macro-y and that's something I really want to play on when it comes to the final cut.
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